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It was also possible to create HTML5 animations, employing them as slide-ins from the side, or element fade or grow. They also show up when items have the same width and height as other elements on the page or when several items have the same distance to other items to help evenly distribute elements. Then there were dynamic guides, which automatically appear when items that are created, moved or resized subsequently align with other items on the page. And 10.1 seemed promising, by adding such functionality as a rather over-the-top 8000% zoom capability, allowing admittedly precise object positioning. Creative Cloud was the best thing that ever happened to Quark, since it made it possible to finally position XPress as a real alternative to InDesign, for those refusing to go the Adobe subscription route. Version 10.1 was released in March of 2014, with Quark making a point of saying that XPress is "available as a perpetual license and customers can rely on ongoing value from their investment," in contrast with the subscription model of InDesign.
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Other notable improvements included a QR code generator, support for East Asian typography in all editions, layer enhancements, Bézier tool improvements, the ability to highlight missing fonts, better PDF handling, and beefed up Microsoft Word import.
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The release also included an overhaul to the interface, including changes to palette control, as well as the ability to display the design environment full screen, the addition of a page navigator for scanning thumbnails and an increased emphasis on the measurements palette.
This release also saw the introduction of a new Xenon graphics engine, which was said to dramatically increase the display quality of both bitmap and vector images within documents. And then the addition of Retina display support required the creation of 1,300 icons.
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To provide a sense of the magnitude of the undertaking, we're told that the dev team had to update half a million lines of code and add 350,000 more.
XPress finally became a native Cocoa application, important for fully taking advantage of OS X. XPress 10, released in 2013, was something of a return to fundamentals. Clearly, Quark was trying to keep XPress in the ePub and app ballpark. Version 9.5.1 further enhanced app creation with App Studio. It continued in this direction with the release of 9.2, which added new ePub features, ePub 3 audio and video support, as well as more options for App Studio. With XPress 9, released in 2011, Quark finally provided the ability to export to ePub format, and with 9.1 added App Studio, designed to move XPress content to the iPad while including interactive elements. While Quark led the field for many years, InDesign has slowly but steadily increased its market share to the point where XPress is now a distant second, forced with each release to try to catch up with the capabilities of the latest version of InDesign When it comes to layout and publishing software it's a two-horse race between Adobe's InDesign and Quark's XPress. QuarkXPress 2016 Updated for Print and HTML5 Output
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